
From the opening scene this film feels fresh. A palate cleanser for what many would consider the repulsive 2006 X-men The Last Stand. Energy seeps from every shot, and the opening fight scene is amongst the best choreographed and well thought through that I have ever witnessed. From the first whistle, we are left gasping without seat belts on the most outstanding of take-off, and the film is less than ten minutes old.
The motif of rebirth persistently hangs around the picture in every aspect of it’s design. Bryan Singer revisiting the beloved franchise he kick started connotes a sense of redemption, not only for his career but also for the series which never reached the heights that he initially set. Rebirth permeates the narrative itself, as the main focal point being a broken Professor X terrifically portrayed by McAvoy having to be aided by the future Wolverine (acting similarly to an AA sponsor) back to his more notable and iconic stature.

The new ‘First Class’ cast also return and it is evident that this is a seamless passing of the baton to the younger generation of the beloved characters. Similar to First Class there is a focus upon the dynamic between McAvoy and Fassbender, but the duo is beginning to become more of trio with the rise of Jennifer Lawrence’s Mystique. All are clearly invested in the characters and the tug of war between Magneto and Professor X for Mystique's loyalty is fascinating to watch.

However, the greatest strength possessed by Days Of Future past is its boundary pushing narrative. This film for me, sets a new standard for the comic book genre. It breaks away from the stereotypical goodie encounters bad guy, loses, and as a result has to rebuild to beat the baddy. The plot is bold, tackling the concept of time travel head on in a bump-less fashion in which I never felt lost or manipulated. There are twists and turns but the strong cast and gripping story allows us to travel down the rabbit hole without apprehension. We are also left with a sentimental insight into the main theme of hope. Hope is the main driving force and we are willed to believe (in the simplest terms possible) that a broken man is capable to channel his demons for betterment of a race subjected to mass prejudice. The story is not defined by a great fight spectacle (although there are many), but so wonderfully realised character developments that makes Days Of Future Past succeed as not just a terrific comic book adaptation, but more so a captivating energetic immersion into the thoughts of the main protagonists and antagonists.
My Score: 9/10
Rotten Tomatoes: 92%
IMDB: 8.4/10
Did You Know?: Shooting went under the working title ‘Hello Kitty’. Which refers to X-men member Kitty Pryde.
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